We’re all part of the same system.”Īscension is playing in theaters beginning October 8.
“I hope for people to see how intertwined the two cultures are, maybe more than we realize-for people to not see themselves as separate from the supply chain. The show is no longer being streamed anywhere I can find. I had to buy it on Amazon Prime for 7.99, where it’s sold/viewed in three double-episodes. “Even though it seems insane in terms of the military culture and the factories and dorms and their whole sense of purpose and identity wrapped up in their workplace in China, I think that in the States we have the same thing, “Kingdon says. on SyFy in 2014 and only lasted six 43-minute episodes. One scene in a factory canteen was not too different from what you might find, say, at an American big-tech cafeteria, with the exception of the mounds of white rice piled high on every tray. Ultimately she hopes American audiences see similarities between our country and its rival power. did a good job of bringing unexpected joy and mystery to these spaces.” “I wasn’t trying to make these factories just look like sad, exploitative places. “This film is about trying to hold two truths at once, where there’s the truth of economic progress and people being lifted out of poverty but also the truth of exploitation and income inequality,” Kingdon says. The soundscape functions as a counterweight to some of the bleaker scenes. Deacon also used instruments similar to the products being manufactured-for music to accompany scenes in the plastic-water-bottle factory, for example, he used a type of plastic whistle-and the score loosely ascends the harmonic scale as the film progresses.
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The images that made Kingdon’s final cut “had to do with free association,” resulting in what she sees as “a surrealist montage.” She cites immersive, visually rigorous documentaries like Godfrey Reggio’s Koyaanisqatsi, Michael Glawogger’s Workingman’s Death, and Nikolaus Geyrhalter’s Our Daily Bread as inspirations.Ĭomposer Dan Deacon incorporated recorded audio from the locations into the score, including from cryptocurrency mines (which were among the hardest to access China has been severely cracking down on cryptocurrency).
Throughout Ascension, capitalist excess is composed with delightful, sometimes absurdist visual elegance: An abstract field of yellow and black turns out to be a bike-share graveyard dogs stand atop a mountain of rolled artificial grass and dozens of pleasure-seekers bob down a lazy river in a massive water park. Well, now we’ve seen all three nights of the epic mini-series.
The lazy river at the Chimelong Waterpark in Guangzhou. It was the vanguard of their stated goals to return to the business of crafting serious science fiction, rather than focusing on paranormal reality shows and lighter-hearted fare such as Eureka and Warehouse 13.
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